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REVIEW: Marisa and The Moths - Live in Studio 3, Abbey Road Studios

  • Naomi Colliar Duff
  • Jul 2
  • 2 min read

Modern alt-rock band Marisa and The Moths from Reading have just wrapped up their short run of gigs supporting Inglorious, and thankfully for fans new and old, they won't have to wait long to hear them live again. Their latest album Live in Studio 3, Abbey Road Studios is set to release soon with eight live-recorded tracks, and a few extra live-on-tour tracks for those lucky enough to score physical editions. This album was a crowd-funded venture, and it has certainly paid off.


Much like in their live sets, the band kicks off the album with a fan favourite, 'Needy'. It's introduced with all the pre-recording dialogue left in – as if to reaffirm that despite having all the polish of their regular releases here, they really do sound this good live. Strong vocals and lead-in guitar from Marisa Rodriguez, against Liam James Barnes' gritty bassline bring us into the start of a promising set, soon joined by Alex Ribchester's pounding drumbeat and the resounding guitar riffs of Alez D'Elia.



'Skin' is a personal favourite – it's a song where each member is given a moment to shine, all working in perfect coordination. Their grunge influence comes through most in this one with bold and brash vocals, and familiar, yet distinctive instrumentals to accompany. It's easy to tell where the band's inspirations lie, though their uniqueness is certifiable. Their third track 'Who Are You Waiting For?' is one that's raw and teeming with feelings, taking on an emotive, soul-stirring approach with its eponymous and extremely memorable chorus, while 'SAD' follows to capitalise on that emotional intensity, Marisa wearing her heart on her sleeve through its words.


'Get It Off My Chest' cuts right into the action with its crushing guitar tunes and rhythmic drums before the powerhouse vocals meet them with all the range of a grungier Amy Lee. 'Choke' arrives soon after, trading out the haunting highs and lows for the growly, commanding style of Lzzy Hale. It's one that comes straight from the heart, a passionate heartfelt release in its core.



Penultimate song 'Pedestal' is a song that feels designed for the rhythm section, a showcase for their musical talents as guitar, bass, and drums take the centre stage for a short segment. 'Borderline' finishes off the album in a song that can only be described as pure catharsis. It's one you can imagine belting out at one of the band's concerts, setting free all the emotions you've been repressing. It's a perfect closer, bringing the live set to an end with eight dynamic hyperkinetic tracks.


Live in Studio 3, Abbey Road Studios is an excellent showcase for the talents of Marisa and The Moths, serving as not just a great collection of tracks for fans, but a really strong introduction for any newcomers – it almost acts as a teaser for their live shows, letting listeners know exactly what they're in for with this band: an emotionally-led, sharp-edged and raw set packed tight with catharsis.


Score: 8/10


Live in Studio 3, Abbey Road Studios will be released independently on July 4th 2025.


Words: Naomi Colliar Duff

Photos: Marisa and The Moths

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