REVIEW: Mission Jupiter - Aftermath

Mission Jupiter do not just craft songs, they shape worlds - and Aftermath is one draped in melancholy, glimmer, and slow-burning power. Hailing from Minsk, Belarus, the dream-rock ensemble has evolved from an experimental project into a fully-formed force that blurs the lines between progressive rock, alternative, post-rock and cinematic atmosphere. On Aftermath, they offer a hauntingly beautiful and emotionally grounded record that speaks softly but leaves an echo.

This is a rebirth for the band in more ways than one. The introduction of vocalist Kate Varsak adds an ethereal yet grounded dimension to their sonic palette. Her voice soars with elegance, yet she still knows when to hold back. Her presence centres the band’s cinematic tendencies with a strong emotional core, and with returning members like guitarist Vladimir Shvakel, drummer Eugene Zuyeu, and saxophonist Dmitri Soldatenko, the result is an album that is unified, mature, and emotionally resonant.

The production is polished yet dynamic - the atmospheric layers are never at odds with the emotional message. Synths shimmer, guitars stretch out into the horizon, and the drums are sharp but subtle. There’s a quiet confidence throughout the record that doesn’t beg for attention, it earns it.

Lyrically, Aftermath deals in memory, distance, heartache, and emotional survival. There’s a strong undercurrent of mourning throughout the album - not just for people, but for moments, for versions of ourselves we’ve left behind. And yet it never sinks into despair. There’s always a sense of movement, of coming to terms with the pieces we carry.

Across the album, two songs rise to the forefront more than any others. 'Crippled Country' one leans into the band’s progressive leanings. The saxophone is front and centre here, lending an ‘80s noir feel that contrasts beautifully with Kate’s more modern vocal stylings. Dark, mysterious, and mesmerizing. The second notable track is 'Jak Spyniajecca Bol' - sung in Belarusian, this track adds a layer of cultural intimacy to the record. The emotional core is still universal, but this moment feels especially personal - a quiet triumph in vulnerability.

Despite its spaciousness, Aftermath never feels hollow. Tracks like 'Bittersweet (Love Song)' and 'Self-Destruction' add urgency to the otherwise floating palette, while interludes like 'The Dark' offer breathing room without losing emotional continuity. The final track 'This Is Not The End' closes things with subtle defiance - more whisper than roar, but no less impactful.

Aftermath is a compelling evolution for Mission Jupiter. It’s dreamy but grounded, cinematic but never distant. The addition of Kate Varsak marks a new chapter for the band - one that feels confident in its restraint and quietly daring in its choices. For fans of Sigur Rós, Beach House, or Mogwai, this album will feel like coming home - if home was drifting quietly through the stars.

Score: 8/10

Aftermath was released on June 20th 2025.

Words: Claire Elizabeth Whiston

Photos: Mission Jupiter