REVIEW: Shrinkwrap Killers – Feed the Clones pt2
- Sage James
- Jun 22
- 3 min read
Shrinkwrap Killers is a solo project brought to you by Greg Wilkinson of BRAINOIL fame, beginning his own genre-blending twist to the forefront aptly called ‘New Wave Punk’,
His latest album 3D Printing Humans arrives as a sci-fi punk manifesto wrapped in shimmering synths and grit-laced guitar riffs. With a thrilling blend of nostalgia and futuristic angst, this record explores themes of dystopia, isolation, and synthetic existence- and it does so with surprising stylistic range and cohesion. With earlier singles setting the tone ahead of its full release, the album delivers an ambitious journey through sound, following a similar sentiment to past releases.

The title track, 3D Printing Humans, opens the album with a bold statement. Released as a lead single on May 7th, it sets the conceptual and tonal foundation for what’s to come. The composition is intricate, layering mechanical rhythm with human emotion, a perfect metaphor for the album’s underlying theme.
Following closely is Piss Bottles and Shit Bags, a song that leans heavily into punk territory. With snarling vocals reminiscent of early Misfits and a driving guitar riff anchored by catchy New Wave synths. The clash of aggression and melody is raw, rebellious, and undeniably infectious.
Eminent Death, released on May 22nd as the album’s second single, brings a tonal shift. It features melancholic piano lines and introspective lyrics about floating through space and the search for help, evoking isolation and existential weight. The drum machine, a classic 808, taps into the sonic DNA of the 1980s while grounding the track in vulnerability. It’s haunting and heartfelt, showing the band’s emotional range.
Then there’s Solar Cemetery, a shimmering homage to 80s synth-pop that is similar to genre legends A Flock of Seagulls. The lush, retro synth lines wrap around echoing vocals, producing a sense of longing that’s both romantic and haunting. It’s one of the album’s most sonically immersive tracks.
As the album continues, Earth’s Destruction is Near throws a curveball. It’s darker, more atmospheric, and steeped in cinematic tension. The track pulls back from punk and pop structures, instead offering a chilling soundscape that feels like part of the score to a futuristic horror film.
These Zombies Are Not in Costume brings us back to punk in its rawest form. Stripped-down guitars, shouted vocals, and frenetic drums transport listeners straight to a sweaty basement punk show. It’s a pure punk gut-punch—short, savage, and satisfying.

The penultimate track, Only the Evil Remain Here, is a fully instrumental piece that feels like a farewell from a decaying world. Guitar, synth, and drums dance around each other in a somber, yet cinematic arrangement—no vocals needed to tell this story.
Closing the album is a reprise of Feed the Clones, a reinterpretation of the 2023 track Feed the Clones. It's a smart way to tie the saga together, hinting at future evolution while paying tribute to past efforts.
This album is genre-defying, emotionally rich, and sonically adventurous, it captures the feeling of watching humanity unravel in the glow of flickering neon lights and is an interesting blend of both Punk and New Wave and pulls it off incredibly well, this album is a must-listen for those curious and existing fans alike.
Feed the Clones PT. 2 will release on June 13th via Carbonized Records
Rating: 8/10
Words: Sage James
Photos: Shrinkwrap Killers/ Fern Alberts
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