It’s a feat in itself for a French band to break into the alt-rocksphere dominated by the American and English, but Parisian band PAERISH have been making waves taking on the behemoth of the Western alt-rock scene, sharing stages with heavyweights PUP, SUM 41, and MOVEMENTS and proving they deserve the spotlight. But to get to this pinnacle the band have gone through trial and error, drawing on a slew of musical and film-based influences to drive their sound forward while sti

Five long years ago, TWO YEAR BREAK were jumping through hoops to record their beast of an album Do You Wanna Find Love?, an album that doubles up as a warp-speed outburst and an outpouring of vulnerability and honesty, a prime example of the band’s refusal to stay in one box. With stirrings of new music in the works, the London-based five-piece paid tribute to their explosive album with an anniversary show at Blondies, a venue that matched the band’s high spirits and warm op

When people talk about a band “evolving”, it can often feel vague. It’s usually in reference to an artist or group’s entire catalogue, and a gradual change over time - between consecutive releases they aren’t too dissimilar, but there’s a clear difference between, say, album three and album seven. These are your CONVERGE or IMMOLATIONs of the world; it usually happens in the more extreme genres where the music is already so envelope-pushing and singular that there’s very litt

DEAFHEAVEN, or more accurately, their fans, have been saddled with a certain reputation from extreme metal fans. If you’ve followed the band for any amount of time since the release of 2013’s Sunbather, you’ve no doubt heard talk of “black metal tourism” or “hipster metal” thrown around. Jonah Bayer’s Vice article from 2014 simply entitled “Why Are Black Metal Fans Such Elitist Assholes?” goes into various anecdotal examples of this, both in-person and online. Keep in mind, t

Closing their first Download festival performance with a beheading, the gears were in motion for the “Off With Their Heads!” tour. The Southampton six piece glam rock band, CREEPER, are known for their theatrical and immersive shows. Opening with the dramatic flair of silhouette performance and filling the stage with gothic props, the CREEPER’s cult were excited with black leather, dramatic makeup and electrifying energy to fuel the darkness. With support from STARBENDERS and

“Zydrate comes in a little glass vial… a little glass vial?” As spooky season begins, OUT OF RAGE looks back at how rock music has shaped some of the most iconic horror scenes on the cinema screen. One such film sees us revisiting the cult classic release from the start of the 21st century, REPO! THE GENETIC OPERA. Directed by Darren Lynn Bousman, best known for his work on the Saw franchise, and written by the masterminds Terrance Zdunich and Darren Smith, the cult classic

Four behemoth yet utterly different rock bands on one bill is something to be excited about. So when FEAR FACTORY announced a tour with three equally as talented support acts, it’s easy to see how the shows sold out so quickly. THE NOCTURNAL AFFAIR took to the stage early with a rousing drum solo introduction. The perfect blend of dark emotion and cinematic energy, the Las Vegas rockers started the night with a guttural punch of modern rock. Vocalist Brendan Shane has a bril

Swedish melodic death metal legends AMON AMARTH sailed into London on 10th October with their The Allfather Awakens Tour in promotions of their latest album, bringing one of their most anticipated shows to their British fans. Fans started pouring into the venue instantly and it was evident no one wanted to miss even a second of the event. SOILWORK brought their energetic, yet short eight-song set to Eventim Apollo, making the floor move and the balcony shake. The crowd was no

For fans of the gothic, the weird and wonderful, of alt-rock hooks inspired by classic horror writers, allow yourself to be put under the spell of VENUS GRRRLS and their new EP To Die As Lovers May. Drink your fill of pulsing, rich guitar riffs, become ensnared in the woven threads of industrial beats and gothic-rock notes, and lose yourself to powerhouse siren vocals that invite you to join the coven. Originating from across the Midlands and North England, the Leeds-based ba

Near Oxford street, tucked away from the superficial glitz and glamour, we venture down into the belly of The 100 Club, an iconic venue and beacon for punk-rockers, for MERYL STREEK’s intimate show for the release of his latest album Stories They Don’t Teach You At School, a ferocious album that rips apart the “slimy politics” of today and the disillusionment sweeping through the common people exhausted by constant bad news. This was a night for punks of all ages to get educa

Since the release of their 7th album ‘I Used To Go To This Bar’ it’s safe to say JOYCE MANOR have received an explosion in popularity, we have been fortunate to be at some of their tours over the last few years and the venues that the band have began to sell out has tripled in the past 4 years. Their show at Manchester Academy was no different, from The Brudenell in Leeds in 2023, the past few years has boasted two Outbreak performances and The Common Thread tour all of which

Pop punk is a cornerstone of modern music, whether it bridges the gap for so many people to get into heavier rock music or offers a nostalgic trip for those who have hung up the battle jackets and stepped away from the mosh pits. It’s a genre that is universally loved, with so many fantastic artists having paved the way for brilliant new acts to emerge. RAY HAWTHORNE is a firm front-runner on that list. With his raspy vocals and screams that blast through the microphone, he i

After a short stint in Europe, BEARTOOTH’s Pure Ecstasy Tour comes to the UK after 2 years, the last time the band came here was for their monumental show at Alexandra Palace; this time the band opted for something more intimate, for a show bursting with a sense of love, community and representation. Opening up the show were KINGDOM OF GIANTS, these American metalcore veterans were stirring up quite the crowd for their very short but very impactful set. Kicking the set off w

Cardiff is already restless before YONAKA even take the stage. Three bands, one room, and an evening that moves steadily from dark alternative rock to outright punk aggression before landing somewhere in between. KNIFE BRIDE start the night. SNAYX turn up the intensity. YONAKA finish it. KNIFE BRIDE open with Lillies, immediately establishing their darker edge. Their sound is cinematic without becoming overworked, with heavy guitars and deliberate drums giving the songs plent

A debut EP that encapsulates everything you’re capable of in six tracks is no mean feat. It’s a tall ask for anyone and the majority of bands still in their formative years grapple with it to the point of indecision. HOT MESS on the other hand hit the ground running with their first outing Make Myself Your Favorite Scene. The Milwaukee five piece pulled off an impressively considered body of work, that manages to balance the grit with electronic movement that make most songs

EIVØR’s Tungl is a spellbinding exploration of longing, transformation, and the courage to navigate the unknown, merging ancient Faroese traditions with industrial electronics, spectral atmospheres, and captivating vocals. For over two decades EIVØR has built a unique musical universe stretching across folk, electronics, and cinematic soundscapes, while also working on soundtracks for The Last Kingdom, God of War and God of War Ragnarök. Out on October 16th, Tungl (Faroese fo

MERYL STREEK takes the jarring and uncomfortable and spotlights it in front of us all on new album Stories They Don't Teach You At School, pulling our heads out of the sand to deliver incendiary punk-rage through spoken-word lyrics over a mix of jagged riffs, breakneck electronic mixes and relentless beats that pack power into every punching track. The Dublin punk poet maintains his status as a live wire in the political sphere, refusing to stay silent on matters the Irish a

Since their formation in 2021, the Brighton based Italian/English band LAKE MALICE have constantly delivered epic music with their unique blend of heavy metal and hyper-pop sounds. On September 11th 2026 they delivered even more with their debut album I Wanna Know If It’s Real. The EU/UK tour following this album was something we could not miss, so we joined LAKE MALICE and their support bands EVILLE and CHAOSBAY on their tour. Also from Brighton, first up was EVILLE. The tri

The local goths, punks and emos never feel more alive than during Halloween as the spookiness and thrills become socially acceptable. This doesn’t stop Halloween lovers from being bound to the 31st October. These individuals are able to express their spooky loving identities through fashion and music. There are so many artists and bands that take inspiration from horror and Halloween for singular projects, offering a spot on the seasonal playlist. These songs simulate haunted

There's a chill in the air as we enter this time of year so favoured by goths and emos. The moon hangs high in the sky, and the spirits of Samhain prowl through the dark of the night. Halloween is looming ever closer, and we're hoping for more treats than tricks - like these latest singles. Here's what we've been listening to lately: Track of the Week: As December Falls - Nervous (ft. Solence) Trust AS DECEMBER FALLS to come out with the dancey song of the summer just as we

Somewhere between indie-rock, alt-pop, and a film soundtrack not yet made, you’ll find AFTERDRIVE. The Ipswich-raised four-piece has been steadily making a name for themselves, from festival stages to hometown shows, while opening for major artists such as MAGGIE LINDEMANN, and MCFLY. With BBC Radio 1 already taking notice of the band’s growing momentum, Dress to Drive offers a clear insight into why. Dress to Drive captures the moment of remembering the kind of relationship

As fans gathered in the heart of Camden Town in the aptly named Electric Ballroom, an undeniable buzz of electricity of anticipation and excitement filled the air. Returning to the UK on their headlining Angel Tour, German melodic tech-metal collective UNPROCESSED graced our stages for the second time this year after supporting JINJER back in January. On the day of their three-years-in-the-making album release, Death Of The Alter, US alt metal four-piece OF VIRTUE took to th

The evening began with support artist BEKAH BOSSARD, who was met by an already enthusiastic crowd as she took to the stage. Joined by her bandmate, the pair delivered an acoustic set that provided a softer introduction to the evening. Their voices worked particularly well together, with the duetting vocals bringing warmth to the stripped back arrangements. Bossard’s delicate vocals suited the gentle instrumentation, while the pair’s connection with the audience created an eas

After the release of the EP IT CALLS ME BY NAME in April of this year, WAGE WAR fans were more than satisfied, but clearly the band weren’t and carried their creative streak onwards. The band's 6th full length album Landfall was announced almost exactly a month before its release, crashing into the scene and causing a stir with such an unexpected release. The album is a 13 track onslaught of the best WAGE WAR have released yet. Having produced the album themselves for the fir