Some bands will bring up memories and feelings just by being named; Korn is most definitely one of them. The American nu-metal band formed in 1993 in Bakersfield, California, and revolutionized the metal scene. Pioneering the nu-metal genre, Korn’s raw, emotional sound and unflinching exploration of personal struggles resonated deeply with fans from the get-go. Their self-titled debut in 1994 marked the beginning of a groundbreaking career, but it was their 1998 album Follow the Leader that propelled them into the global spotlight. Over the years, Korn has influenced countless bands, shaping the course of modern rock and metal. We therefore got wondering, after the monumental announcement of their Download headlining slot, what could be their 10 best songs? 10. A.D.I.D.A.S. (Life Is Peachy, 1996) Short for "All Day I Dream About Sex" while also being a nod to the band’s sportswear aesthetic, this stands as one of Korn’s most playful and chuckle-worthy tracks. It marks a different side of Korn, with over-the-top lyrics and an equally surprising video while staying on brand with a heavy sound and raw vocals. 9. Cold (The Nothing, 2019) More than a song, “Cold” is a catharsis and search for a root. Its both groovy and darker rhythm fighting with the downward spiral of the deeply personal lyrics. In a grief-stricken voice, Jonathan Davis expresses feelings of isolation and emotional numbness, letting people in on his struggles with his mental health in this difficult part of his life. With heavy, downtuned guitar riffs and a grinding, relentless rhythm, “Cold” is one of the band’s most vulnerable tracks and stands as a testament to their ability to blend personal vulnerability with raw energy. 8. Somebody Someone (Issues, 1999) A true benchmark for the band’s early sound, which may have been underrated at its release but turned into a fan favourite. With a stand-out, leading bass rhythm, a different screaming from Davis, and a mind-blowingly heavy breakdown, the song is nothing short of memorable. It quickly also became well known for its strong live performance and became a concert staple between 2000 and 2011. 7. Got The Life (Follow The Leader, 1998) A turn and statement of the band’s rap and metal blend. This energetic, high-impact track combined Korn’s signature heavy sound with a catchy, infectious groove-laden beat. This also translates into the lyrics where Davis explores the dichotomy between having everything one could ever want in terms of fame, money, and success, yet still feeling unfulfilled and disillusioned. It also ironically became one of Korn’s biggest hits, receiving significant radio play and reaching No. 5 on the Billboard Modern Rock Tracks chart. 6. Here To Stay (Untouchables, 2002) The song marks a significant point in the band’s career, showcasing their evolution both musically and lyrically. In a controlled explosion, it conveys a sense of empowerment against the chaos and negativity surrounding them. We can also find this in technical aspects of the song with a staccato rhythm, slap bass and punchy drums. It’s an anthem of standing up for yourself and not giving up. 5. Twisted Transistor (See You On The Other Side, 2005) "Twisted Transistor" represents a shift in Korn’s musical approach. Known for its more experimental and funk, electronic-infused sound compared to their earlier work, the song still blends with Korn’s signature nu-metal style in a polished production. The song opens with an eerie, synth-driven intro, immediately setting a more atmospheric, almost futuristic tone. The lyrics explore themes of manipulation, exploitation, and the pressures faced by musicians who are put on a pedestal by both the public and the industry. Its music video featuring Lil Jon, Xzibit, David Banner and Snoop Dogg also became an iconic step supporting the song. 4. Daddy (Korn, 1994) Korn's most intense and controversial song, featured as the final track on their 1994 self-titled debut album. Impossible to ignore, the raw pain of “Daddy” has haunted every listener since and is an experience no one can forget. In this album known for approaching topics of stolen innocence and corrupted childhood, it is an autobiographical song written by Jonathan Davis to process his feelings surrounding the sexual abuse he experienced as a child. Davis has openly spoken about how challenging it was to write and perform "Daddy" as it forced him to relive and confront those painful memories but also offering with it a voice to others who may have suffered similar experiences. The track is widely regarded as one of Korn's darkest and most emotionally charged songs, both due to its harrowing subject and its sinister-sounding melody. The song established Korn as a band that wasn’t afraid to delve into taboo topics and face trauma by building a community. 3. Falling Away From Me (Issues, 1999) No escaping this track’s haunting but melodic atmosphere, heavy and distorted guitars that complement the emotional intensity of the lyrics with Davis’ voice ranging from soft, almost pleading tones in the verses to anguished screams in the chorus. Delving into Davis’ mental health and his struggle with depression and overwhelming emotions as well as topics of domestic abuse, it became a place for fans to feel less alone in their own struggles. It now is one of Korn's most recognizable songs and solidified the band's place in the mainstream music scene during the late 1990s. 2. Freak On A Leash (Follow The Leader, 1998) Its hypnotic, bass-heavy, dark and brooding tone building in tension quickly made “Freak on a leash” a Korn anthem. Davis has explained that the song was inspired by the frustration and anger he was experiencing at the time, particularly related to how he felt about being manipulated by others, whether it was by the media, his relationships, or societal pressures. He felt like a "freak" under constant pressure. This innovative song’s success helped propel Follow the Leader to multi-platinum status and brought Korn a larger, more diverse fanbase. 1. Blind (Korn, 1994) Often the first song that comes to mind when you ask someone about the band, “Blind” is an explosive power that transcends time. Its opening battle cry “ARE YOU READY?” remains engraved in the core of all lovers of nu-metal for the heavy breakdown it brings and the unity it inspires. The universal topic refers to the feeling of being unable to see a way out of one's pain or situation, being "blind" to solutions or hope, and gave a common ground to everyone who ever felt lost. “Blind” remains not only a song but the spark of a movement that defined nu-metal with a fusion of heavy metal, alternative rock, hip-hop, and industrial elements. Ultimately, pointing out the band’s best songs is a never ending battle as Korn's power and legacy lies in their ability to break musical and lyrical barriers to connect with fans on an emotional level, leaving an indelible mark on the world of music. Korn will be headlining Download Festival this year alongside Green Day and Sleep Token. More information can be found on their website. Words: Lysandre Pons

O2 City Hall had a jovial rock and roll party on Tuesday with The Darkness, playing their rescheduled final date of their Dreams on Toast tour with ASH. The set was an even mix of classics and new material, while the screen on stage showed some gorgeous visuals to compliment the sound and era that the quartet were covering. The crowd filed in late to O2 City Hall, padding out half of the large sloped room comfortably before the 8pm start of Downpatrick three-piece ASH, who swanned onto the stage with the comfort of a band in its third decade. They had a long pre-intro then hopped straight into their opener, with muted response. The energy of the room warmed up with ASH, though, as Rick McMurray hit his drum solo in Orpheus he was greeted with egging claps from the crowd followed with a quick happy birthday to bassist Mark Hamilton belated from the original date. Their set was pleasant and seemed to get some conversions if not hips moving, though there was a feeling that the frontman had either overestimated the energy for this weekday show or the crowds passion for ASH as he played riffs with a “you know this one” look in his eye in lieu of a song title and coaxed his own applause on an occasion at the end of the half hour. Justin and Dan Hawkins did join them for the set closer ‘Burn Baby Burn’ donned in matching ASH t-shirts before the three piece made their bloated exit from the stage. Decent set, decent vibes, but perhaps a little self important. There was a 40 minute or so lull before the lights dropped again for The Darkness to make their entrance. Frankie Poullain opted for a vinyl suit and red silk shirt - slay - while frontman Justin Hawkins settled on a waistcoat and necktie setup which was fetching while it lasted, though the waistcoat was eventually cast aside. They opened with a new offering, Rock and Roll Party cowboy; a tongue and cheek manifesto of a guy who gets drunk and goes to shows. Their stage presence was phenomenal, managing to command both sides equally with ease while still making time to jam with drummer Rufus “Tiger” Taylor whenever they needed a break. It did not take long for the crowd to get dancing either, so by the end of Growing on me the party had well and truly started. Hawkins' stage presence wasn’t limited to when the music was behind him: after some lighthearted joking about crying at the cancellation with a thanks for coming, the first of the many call and responses began in the form of the sides of the room giving him a d (cheeky) then an -arkness, letting it build before Get Your Hands Off of my Woman kicked off, matched with a fetching red and black visual and a secret c u next tuesday flashed on the screen through its runtime. This was bookended with a vocal warm up using mother and a declaration that we were officially warmed up before hitting up the run of older crowd pleasers. Hawkins did toe the line of humour and contempt, as he salvaged a bit that he thought the crowd would get immediately where they were expected to repeat the last word back of the spoken element of 2015’s Barbarian by overexplaining how said bit would work. Though the back and forth needed some work the song itself went down a dream, and the little viking hat on the logo in the background was a nice touch. A few songs later and we’re back to the crowd work, this time for Walking Through Fire, where Hawkins asks for the crowd to march in place and pump their fists then spin around and do it on the other side so they could put it on the internet! The room enjoyed it after a couple of goes, though Dawkins’ assertion that it was the best of the tour didn’t have the conviction it needed to be the truth, and there is something oddly endearing about the generations that did not grow up with the internet trying to make user generated content with an arms length approach. After crowd pleaser Love is Only a Feeling, Dawkins decided it was time for the longest kiss, which required a word to be shouted in its lull; he asked for ideas but got nothing apart from the expected body parts, so settled somehow on his name said in a French accent. No one quite got the timing, but the song is sweet, then after Heart Explodes they introduced the sound tech to drum My Only so that Taylor could sing his love letter to his dog, matched with photos of the french bulldog scrolling in the background - a beautiful song for a beautiful animal. Now well into the swing of the 90 minute set the quartet hopped back into their archives for Dancing on a Friday Night (the thought about how fitting this would have been on the original date bounced around) and got the crowd moving once again. The energy by this point was relaxed as groups of friends moved and laughed with one another; but Hawkins had a rant he simply needed to get out. Pinching a phone from someone in the front, Hawkins decided to show Newcastle City Hall his impression of someone filming a show on their phones, backtracked a little with a statement that he liked how much footage of his band is out there, the apologised to the concertgoer he had taken the phone off by popping it down his trousers and taking a photo of what they contained (or possibly a selfie from that angle, but that thought is less fun). He asked for a phoneless number in the form of a cover of Back for Good, which was mostly obliged, and for the first time in the evening the crowd did their own work by giving him the backing vocals in this subdued cover. The energy picked right back up, though, as I Believe in a Thing Called Love rang out for the “closer” and the band leaving for their encore. This ended up being belated a little, leading to some leaving before it started, but finally the screen flashed to a pretty caricature of Italy and Taylor took the mic once more for new album track Weekend in Rome, followed by Dawkins theatrically smelling flowers and introducing the band then actual closer I hate myself. All in all, The Darkness put on quite the party, ensuring that the crowd stayed engaged even if the not-quite-rightness seemed to get to Dawkins after a little while. Dawkins’ vocals were just as gorgeous as they sound on record, and Taylor’s stint on the microphone showed he’s been hiding some deep and soulful pipes behind that drum kit. The crowd had fun, the drinks stayed flowing, and there was just enough humour in the chaos for the night to still feel smooth. Words: Julia Brunton Photos: James Smith

The MySpace deathcore revival is alive and well! Ocean Sleep are proudly leading the charge in the MySpace-era deathcore revival, and with their new EP 0114 Deathcore, they’ve delivered us three tracks that serve both as a love letter to the genre and a bold statement of intent. This is raw, scrappy, heavy-as-hell music, and it absolutely rips. Opening track ‘My Favourite Position Is 1st Place In Mario Kart’ lays it down right off the bat. With a tongue-in-cheek title and a pedal-to-the-metal approach, it’s a tightly wound burst of chaos that highlights everything Ocean Sleep do best. Fiery riffs, machine-gun drums and feral vocals entwine into a short, sharp shock of deathcore mayhem. A powerful opener, and a clear indication that this band haven't just come to play. ‘Monster Energy’ follows: starting with a slower, doom-tinged opening before kicking into a more stereotypical chugfest. The vocal performance is the real hero here; gutturals, screams, and all things in between are spat out with aggression and clarity. The instrumentation on this track doesn’t exactly break a ton of new ground, but it is solid, well-paced, and doesn’t overstay its welcome. Running for about two and a half minutes, it’s a brief blast of sonic violence that lingers. The longest and most developed track on the EP, closing track ‘God Gives His Silliest Juice To His Silliest Goose’ is also the most concrete; Ocean Sleep really takes the time to let it unfold. The pacing is astute, from crushing breakdowns to introspective guitar moments to relentless blast beats. This is where the band exercise their songwriting chops a bit more, with dynamic shifts and some surprising flight paths that indicate a deeper level of musicianship. That title might be a lark, but the track itself is heavy duty; this is some serious underground heaviness. What 0114 Deathcore does better than most is lean into everything that made 2000's deathcore so exciting in the first place, while still managing to sound fresh and relevant today. Ocean Sleep aren’t breaking new ground in the genre, but they do seem to be having a hell of a lot of fun with it, and their enthusiasm is contagious. If you’ve ever owned a band logo belt buckle, or posted your band poster on MySpace, this one’s for you. Score: 7/10 0114 Deathcore will be released on April 4th 2025. Words: Vee Richardson Photo: Riccardo Cenci

Ash Twin Project, a progressive metal band from Agen, France, has created an impressive debut album with Tales Of A Dying Sun. Combining elements of post-rock, progressive metal, and cinematic storytelling, the band crafts intricate soundscapes that are both thought-provoking and emotionally evocative. With members who have honed their skills in bands like Prophetic Scourge, Titan, and Silent Opera, Ash Twin Project brings a wealth of experience to their music, resulting in a sophisticated and immersive listening experience. From the first note to the last, the album takes listeners on a journey that feels both deeply personal and universally resonant. The release opens with 'Cœlacanthe', an immediate attention-grabber with its grating guitars and dynamic shifts. Lead vocalist Eg Scargot delivers a captivating performance, showcasing her impressive vocal control. The song seamlessly transitions between heavy, orchestral elements and softer, more introspective moments, featuring a delicate piano melody and strings around the three-minute mark. This interlude creates a poignant sense of wonder before launching into an electrifying guitar solo that pairs perfectly with the driving drumwork. The track effectively sets the tone for the rest of the LP, highlighting the band’s ability to blend genres and moods. The interplay between melody and aggression is executed masterfully, making for a very strong opening track. The shortest track on the album, 'The Wilds', takes a more restrained, ethereal approach. Scargot’s layered vocals add an otherworldly dimension to the track, perfectly complementing its atmospheric instrumentation. The song progresses naturally, moving from calm, ambient sections to more intense passages featuring abrupt, wild screams. This dynamic structure mirrors the unpredictability of nature, evoking the imagery of wandering through a forest at dusk, with the last remnants of sunlight lingering in the air. Closing out the release, 'Moon' begins with an underwater-like audio effect that gradually fades, revealing confident, driving guitar lines. At times, the instrumentals can feel slightly overwhelming in comparison to the vocals, but the overall composition remains strong. The track encapsulates the thematic and musical elements present throughout the LP, making for a fitting and impactful conclusion. The song’s ending is particularly effective, as the instruments slowly fade into silence, leaving the listener with a lingering sense of reflection. It’s a powerful closer that ensures Tales Of A Dying Sun ends on a memorable note. Ash Twin Project’s Tales Of A Dying Sun is an impressive debut that highlights the band’s artistic vision and technical prowess. The album’s ability to weave together intricate compositions, emotional depth, and thematic storytelling sets it apart in the progressive metal landscape. While there are moments where the production could benefit from slight refinements - particularly in balancing instrumentals and vocals - the overall execution is strong. What stands out most is the band’s ability to evoke emotion through both their songwriting and performances, creating an experience that feels cinematic in scope. This release positions Ash Twin Project as a band to watch, and it will be exciting to see how they evolve in future works. Fans of progressive and atmospheric metal should keep a close eye on their journey, as Tales Of A Dying Sun is a testament to their potential. Score: 7/10 Tales Of A Dying Sun will be released on April 4th 2025 via Klonosphere Records. Words: Jason De Mendonca Photos: Ash Twin Project

Deafheaven, the unsung heroes of melodic black metal, are set to have a phenomenal 2025. With the release of their latest album, 'Lonely People With Power', they cement why they're the frontrunners for extreme music- the kind that makes people feel a multitude of gnarly emotions. On stage at Outbreak Festival and this year, their UK homecoming will be nothing less than a triumph. The band will also return to headline Damnation Festival in November. So in celebration of a masterpiece (and the first Out Of Rage 10/10 album), here is a list of the top 10 Deafheaven songs. 10) DREAM HOUSE As the first song of Deafheaven's 'Sunbather' album, this is the song that turned Deafheaven into a feeling, not just a band. "Dream House" is George's screaming. It feels like sunlight hitting your face after a night you barely survived. Like most of Sunbather, it’s about longing for something you’ll never have, chasing ghosts and carrying that heavy feeling of wanting. And no, it’s not actually about real estate, but hey—if black metal can be about home ownership, I’m here for it. Who doesn’t love an existential crisis with their mortgage? 9) BROUGHT TO THE WATER Deafheaven's 'New Bermuda' album kicks off with this banger. The song builds up and then it kicks in, almost as feel like we're starting a new song. George’s vocals hit, the tempo keeps climbing, and the blast beats tear through the air. And those cathedral bells? Like a funeral for something you can’t name. Chaos and beauty smashed together. "Where has my passion gone?" The line hits me most. The riff towards the end of the track is such a Deafheaven moment. Feels like sinking and soaring at the same time. 8) GIFTS FOR THE EARTH The closing song of "New Bermuda" is almost a dreamlike farewell: soft, self-reserved, floating out to sea. Bodies in the ocean, flowers drifting… there’s something peaceful about it, like slipping under the waves and just letting go, which we all have to do some part of our lives…And, that riff - unreal. This is what I love most about Deafheaven: those long, sprawling compositions, the raw, emotional vocals pulling you in, giving you time to feel everything before they drop a riff that wrecks you. 7) VILLAIN The 6th song of the 'Great Mass of Color' album, Deafheaven's shoegaze-leaning album, clean, dreamy vocals and tunes. It has similar song structures to Deafheaven's previous albums. The vocals hit harder after all the dreamy build up too. it feels like nostalgia and longing, but also less dark. The lyrics drip with introspection, self-loathing, and fractured memories. It’s a song for those late-night walks or commute back home after a long work day. 6) GREAT MASS OF COLOR This is a favorite song from 'Infinite Granite'. It starts off soft and dreamy, it is shoegaze goodness. You wouldn’t even guess it’s a metal band playing. It’s probably Deafheaven’s most melodic song, and while it’s full of warmth, there’s this hidden sadness beneath it—like a quiet struggle against depression. Then, around the 5-minute mark, these raw screams break through, and it kinda gives me an Alcest vibe, like that perfect mix of beauty and pain. 5) MAGNOLIA Deafheaven’s latest single, 'Magnolia', from their upcoming album 'Lonely People with Power', brings them back to their signature sound, growling vocals that hit deep and leave a mark. The song builds slowly, but once it grabs you, it pulls you into a trance, weaving a haunting atmosphere. George’s vocals are as powerful as ever, carrying that eerie, almost timeless quality. It is full of raw emotion, a wave of melancholy that crashes over you. It’s haunting, beautiful, and packed with feeling. 4) CANARY YELLOW "Canary Yellow" stretches beyond 12 minutes, moving from quiet introspection to pure catharsis. The slow, hazy build feels dreamlike, but then it suddenly wakes you up. It’s the kind of song that makes you want to run until your lungs give out. With its long, challenging composition, similar to most Deafheaven songs, it starts with a dreamy build-up until George’s powerful vocals kick in. Way over the 10 minute mark, it becomes much more. The track is empowering, it's structure feels like resisting something, then finally giving in and realizing it wasn’t as bad as you imagined. 3) VERTIGO Another great, lengthy cinematic piece from Deafheaven's critically acclaimed 'Sunbather'. That middle section? Pure bliss. Guitars spiraling, drums rolling like a storm, and George screaming like he’s ripping something straight from his soul. It’s raw, messy, cinematic. The lyrics dive into youth, distance, and life slipping away. Like most Deafheaven songs, Vertigo sounds and feels like very much nostalgia. "Lost in the patterns of youth, and the ghost of your aches comes back to haunt you.” About Deafheaven—deep, poetic, yet brutal. This is what makes Deafheaven special. 2) GLINT The 5th song from 'Ordinary Corrupt Human Love', What we love about this track is how it builds up- its just the right amount of time, like it's teasing you with anticipation before that epic riff slams in. The build is flawless. And the drums they're on another level, so tight, so powerful. The lyrics hit deep, talking about loss and acceptance. It's heavy, kind of depressing, but there's something real about it. Losing someone you love is part of life, and this song captures that emotional journey of embracing the hurt and learning to move forward. It’s about accepting what you can’t control. 1) PECAN TREE Deafheaven’s 7th track from the critically acclaimed 'Sunbather'. From the very start, it’s full speed, full blast, no warning, just pure chaos. The riff at the beginning of the song is so good, giving classic Scandinavian black metal energy, sharp and relentless. You barely have time to catch your breath before it keeps pushing forward, until it finally gives you a moment to breathe. The track moves into a place where you imagine that you're overcoming challenging times, you fought your battles and it's now time to move on. It all climaxes and the final moment of acceptance, like surrendering to all negative thoughts. It's hard to feel that many emotions in a single song; it feels like a full-length film with a journey packed with highs and lowsLyrics are again about longing and nostalgia, you can tell it's about yearning for something that’s slipping away, whether it's love, or maybe even a part of yourself or maybe your youth. There’s this deep nostalgia mixed with pain and longing. It’s about the feeling of being stuck in the past, knowing it’s gone but still reaching for it anyway. Deafheaven will be at the Manchester leg of Outbreak Festival this summer alongside Knocked Loose, Danny Brown and Speed. Words: Bella Cologlu

Leeds five-piece band Patience, formerly known as Japanese Raccoon Dog, are coming out with their debut EP Third Time Lucky this week and the six-song-long release is definitely one to listen to. Drawing inspiration from well-known bands such as Paramore, Holding Absence, American Football and Biffy Clyro, the mathrocky Midwest emo band focuses on topics of struggle as means of carving an optimistic mutual future. Four songs from the EP, ‘Whatever It Takes’, ‘I’ll Be Fine’, ‘Bliss’ and ‘Trust’ have been released as singles so far. The introductory track ‘Swept Away’ is fifty-three seconds long with no vocals. It's a quick and easy way to show the listener just what the EP is going to be like, as the melody is similar to the one in the upcoming songs, but without having to dip much more than a toe into the the release. The next song, ‘Whatever It Takes’, was the band’s debut single. Released in the February of 2024 - over a year ago now - the track continues immediately from the melody of the previous one, creating a smooth transition into the soft vocals of the femme lead of the band. Starting off with a prominent bass line, that pairs excellently with the punchy drums, the melody swiftly picks up and adds electric guitar into the blender as well. ‘I’ll Be Fine’, the third track on Third Time Lucky, goes straight into those beautifully written guitar lines so typical of mathrock and Midwest emo, making the sound little heavier from the beginning. The usage of synth in some parts compliments the overall harmony, making the instruments balanced and not overwhelming. The fourth song and the latest single, ‘Bliss’, continues with the faster paced music, utilising a few elements of more radio-oriented rock in the melody. Sounding very familiar to Paramore’s music, the band doesn't push the boundaries so far in this song, preferring to go with a more traditional and timeworn approach. The same is true for the fifth song ‘Evergreen’ and the last song on the album, ‘Trust’. Although the three tracks share these similarities, the last one uses a different rhythm to the previous two - however, the relative similarities can make the listening experience feel prolonged, with not much distinct changing for some time. The vocals of the lead singer are the best distinguisher of the three songs, and they fit together with the instruments tremendously. ‘Evergreen’ consists of some very memorable guitar riffs, and a beautiful build up that goes straight into more guitar and drum action, while ‘Trust’ has an emotional bridge, that once again showcases the guitarist’s skills. Third Time Lucky is a well crafted debut album, that does well to showcase the potential of the band to the listeners while simultaneously walking the path of certainty in terms of how the music sounds. Although sometimes the tracks felt long and repetitive, Patience confirmed that they are capable of incorporating interesting elements in their crafts, making the listener stay for more. The harmony between guitar, bass and drums is well executed and does not feel overwhelming, with lots of space left for the vocals to solidify the experience. It's absolutely an interesting piece to listen to for anyone who is looking for something a bit different, with the veil of well known music over the top. Score: 7/10 Third Time Lucky will be released on April 4th 2025. Words: Katerina Stepanikova Photos: Patience

Higher Walls are a London-based hardcore quartet, that fuses blisteringly fast guitar work, polyrhythmic drumming, and technical bass to create a sound unlike any other band on the London hardcore scene. Formed in 2020 by Jordan Kaad (vocals), Radu Ghidirim (guitar) and Stefan Babara (drums), Higher Walls have built a catalogue of heavy hitting technical music that is proudly grounded in the traditions of bands such as Raised Fist, Terror and Antagonist A.D., whilst also blending the ferocious energy of bands similar to Trap Them, Gaza and Nails. The band were joined by Chris Sparrow (bass) in 2024 and, with a refreshed outlook, released the Tear Them Down EP - setting the bar tremendously high for the quality and passion to expect going forwards. They have exceeded all expectations with their upcoming EP No End, which is the best representation of the band to date; including six tracks of intense hardcore, with themes ranging from the bleak landscape we currently find ourselves in globally, to the people in power, as well as future generations finding it difficult to make positive change. As a special treat, ahead of the release of single 'So Much, For So Long, For So Little' tomorrow, Out Of Rage has been given exclusive opportunity to share the new single a little bit early for all of you reading - so check out the video below to hear the track in all of its vitriolic glory! Higher Walls had plenty to say about the new song too, with this uncompromising and unequivocal statement on the lyrical content found within: "The second single from our EP No End. 'So Much, For So Long, For So Little' speaks of the widening class divide in the UK and the brazen incentive for governments, the global elite and big business to prioritize profits over people. This is of course nothing new, but there is an obvious arrogance to this now. Government contracts being given to friends, dismantling administrative departments to further individual agendas and perpetuating endless war to maintain cordial global relations. We must call out injustices and not give in to hate." With the uncompromising energy within, combined with the vicious vocals and devastatingly scathing political lyrics, it's abundantly clear that Higher Walls are on the warpath and will not settle until the decimation of all that divides us is complete. Now, all we can do is spin this until the EP is out later this month! New single 'So Much, For So Long, For So Little' will be released tomorrow on April 4th 2025. No End will be released on April 25th 2025. Words: Jake Longhurst Photos: Higher Walls

Once more on a quiet Sunday evening, with the sun finally shining in Manchester, metal fans converged at Rebellion’s doors to watch some incredible live music and support a well loved local venue. With the sheer amount of talent on display that evening, it was no surprise that the audience were pumped and ready to go. And with only three more rounds to go until the all important final, and a coveted spot at Bloodstock, the competition was well and truly heating up for the remaining bands. Taking the opening spot of the event is never an easy feat. Already full of nerves, wondering if the audience will be receptive that early in the evening, and wondering if you’ll have to work even harder to bring the energy. 6pm rolled around, and Pew Pew Laser Force showed that none of that mattered, and they slammed full force onto the stage. The high octane performers, coupled with the shrouded mystery of glowing techno masks left the audience reveling in the vigour this band poured into their set. Pew Pew Laser Force have created a dynamic niche in the metal market, combining seemingly traditional techno music with metal vocals and riffs. The audience were in the palm of their hands for the entire 30 minute set, responding to call and response and moshing along to the well realised music this band were putting out. With only one released single this was a monumental set for Pew Pew Laser Force, and truly earned them the crowd vote. PPLF Second to grace the stage, and worlds away from the previous act, came the band with the most ingenious name and staging in perhaps the whole competition, Shred Dibnah. Bringing the fun to the competition, Shred Dibnah had it all. Bringing enjoyment with their lyrics and song titles including, ‘Middle Lane Moron’, mixed with impressively meaty guitar riffs that could be felt all the way in the back of the room. The points for creativity have to go to Shred Dibnah, they literally had a smoking chimney taking centre stage and that sums them up so well. The embodiment of old school heavy metal and simple jollification. Unfortunately, Shred Dibnah did not end up advancing to the next stage, and this may have been affected by their slot time. Sandwiched between two very high energy bands, they seemed to lose out when it came to audience interaction as the liveliness had somewhat died down. But bringing the classic elements to a competition that features a lot of new wave metal, is a daunting and exciting feat that they pulled off brilliantly. Shred Dibnah The subsequent group to Shred Dibnah were the surprisingly fleet-footed Incarnage. Bringing some buoyancy back to the competition, Incarnage were the melodic metalcore group the night needed. Blending impressive vocals, with rhythmic melodies and heavy bass riffs, Incarnage are a truly realised band. With elements similar to bands like Bullet for my Valentine and Trivium, you can see where the five piece have taken inspiration from but twisted it to fit their own unique form of performance. Halfway through the set, the band's agile abilities came into play, with both the singer and bassist taking a trip through the crowd. Floating around a crowd that are thrashing around you is a strenuous task, pair that with carrying a stellar set and not dropping a single note and it becomes almost impossible. But Incarnage found a way. Treating every individual in the crowd as if they were the only ones there whilst simultaneously bringing the room as a whole closer, Incarnage were putting in the work to back up their musical prowess. Unfortunately, it wasn’t enough to advance them further in the competition, but we have no doubt that this band will succeed on to great things. Incarnage The final competitor of the evening, and winners of the judges vote, were the insanely alluring VMBRA. Taking to the stage, this captivating quartet knew exactly who they were from the off. Blending striking, meaty riffs with supremely powerful choruses, VMBRA were incredible. Not at any point did it feel like VMBRA were not completely at home on that stage, you could sense the fun they were having from wherever you were standing in the room. Spirit and soul were flowing through them, and the genre fusion they exhibited was insane. Clearly taking inspiration from many musical influences, not necessarily all from within the metal world, there was a beautiful blend of groove with profoundly mind melting riffs. It is not only musically that VMBRA excel, their visuals were on lock as well. Being a female fronted band is not easy in this industry, and unfortunately not as common as it should be, but when VMBRA strode onto the stage with keys and vocals being performed by the enigmatic Ai, it makes you wonder how this is the case. Truly captivating and original, it is no surprise that VMBRA were the final band of the evening to advance in the competition. VMBRA Once again, the Metal to the Masses team, and Rebellion had put on an immense night of live music, recognising unsigned artists and giving them a platform. The competition carries on further into the year, with the grand final taking place in May. If the calibre of the quarter finals was anything to go by, audiences are in for a treat. Words: Emily Bancroft Photos: James Smith

Words: Amber Brooks, Amy Watson, Dulce Mendes, Katerina Stepanikova and Vee Richardson Here it is- The monolithic 20+ festival guide to your summer season! From basement one-dayers to entire weekend affairs, this is a comprehensive list of the alternative communities must attends. We've also thrown in some impressive day shows from the likes of Sabbath, Slayer and Idles. With a variety of acts ranging from idie rock, to hardcore and extreme metal, there is something for everyone here. As we're getting this out in April, we must give honorable mentions to Wide Awake and Reality Unfolds Festival, which both gave it their all earlier in the year. They both made massive waves in the London underground scene, providing an eclectic mix of breakthrough artists in authentic and exciting community spaces. TAKEDOWN FESTIVAL (4 - 5 April) Headliners: Kris Barras Band and Ferocious Dog OOR picks: Urne, Lake Malice, Harbinger and Kite Thief Takedown Festival is a centre point for alternative rock and metal, a high-octane celebration where chaos meets community. With a lineup that blends seasoned titans and rising stars, this year’s edition is set to be an unmissable riot. Headlining are the blues-infused hard rock powerhouse Kris Barras Band and the folk-punk energy of Ferocious Dog, proving that Takedown thrives on diversity in sound and spirit. The festival’s undercard is equally stacked, with Lake Malice bringing their electrifying fusion of metal and electronic chaos, tech-metal bruisers Harbinger delivering bone-snapping riffs, and the ever-unpredictable Kid Bookie, who blurs the lines between rap, punk, and pure aggression. Whether you’re a pit veteran or just there for the vibes, Takedown is a space where all shades of heavy music collide. - VR SHREDDLER FEST (12 April) Headliner: Delilah Bon OOR picks: In Retrospect, Tropic Gold, Graywave and Still In Love A one-day two-stage Festival in the heart of Sheffield at the Peddler Market, (Yes, try to say that ten times really fast!) Shreddler Fest is a celebration of the breakthrough and the alternative. With brat punk headliner Delilah Bon making the most of her hometown after the triumphant ‘Evil Hate Filled Female’ tour, the festival has While She Sleep’s Loz Taylor curating the lineup. Oh yes, it can’t get more Sheffield! Joining Delilah on the main stage includes Lake Malice, Sick Joy and Oversize, alongside hardcore heavyweights Rough Justice, Bodyweb and Still In Love. On the second Factory Floor stage, Stoke-On-Trent behemoths Black Coast front an impressive lineup of primarily metalcore bands, including In Retrospect, Rxptrs and Alchemise. For what it's worth, the inauguration of this festival onto the festival circuit this April is going to be the start of something truly spectacular. - AB MANCHESTER PUNK FESTIVAL (18 - 20 April) Headliners: The Menzingers, Dillinger Four and Strung Out OOR picks: The Chisel, False Reality, Gen and the Degenerates and Cherym Manchester Punk Festival (MPF) is a three-day, city-wide celebration of punk in all its forms, from classic anthemic sing-alongs to fast, chaotic hardcore. With over 140 bands playing across seven of Manchester’s best venues, it’s a festival built by punks, for punks. MPF is DIY, inclusive, and full of energy. This year’s lineup is stacked to the rafters, with The Menzingers headlining, bringing their signature mix of heartfelt lyricism and huge choruses. Legendary Midwest punks Dillinger Four add a dose of rough-edged, beer-soaked anthems, while Snatch Game, Deadwax, and Victim Unit keep things fresh with everything from raw, aggressive hardcore to genre (and gender) bending punk experimentation. What makes MPF special isn’t just the bands, it’s the community. With its grassroots ethos, the festival thrives on the passion of the scene, creating an atmosphere that’s welcoming, wild, and built for discovery. Whether you’re a lifelong punk fan or just diving in, MPF is the place to be for three days of sweat, noise, and absolute chaos. - VR NOIZZEFEST (26 April) Headliners: Unpeople and Knife Bride OOr picks: Gender Warfare, Hidden Mothers, Love Rarely and High Regard Following the success of the last year, Noizzefest is back in 2025 with a second edition of its day festival, held in Cardiff. The festival is a self-proclaimed celebration of growth and community, and uses a physical platform you can utilize to find and support your next favourite band. Noizzefest is primarily a festival for up-and-coming talent within the alternative and rock genre. This year, we have Unpeople headlining, who have made a significant impact on the alternative music scene since their rise. We will also see rising titans such as Continents, Love Rarely, Atlas Theory and many more who are guaranteed to make it one to remember in a day full of uninterrupted music and good vibes. - AW INCINERATION FESTIVAL (3 May) Headliner: Triptykon OOR picks: Naut, Decapitated, Grief Ritual and Cryptopsy Incineration Festival is a relentless onslaught of extreme metal, taking over five London venues for a single day of unfiltered brutality. On May 3rd, 2025, the festival will bring together some of the heaviest and most uncompromising acts in the genre, making it a must-attend event for those who crave intensity. This year’s headline act is none other than Triptykon, performing their infamous Celtic Frost set, a rare and unmissable tribute to one of extreme metal’s most influential bands. They’re joined by Polish death metal titans Decapitated, the bleak and crushing Grief Ritual, and thrash maniacs Warbringer, ensuring a lineup that spans the full spectrum of brutality. Incineration Fest thrives on raw energy, offering an underground atmosphere with top-tier acts. The multi-venue format lets fans experience everything from cavernous blasts of black metal to tight, sweat-drenched death metal sets. For those who live and breathe extreme music, there’s no better place to be. - VR NORTHERN UNFEST (10 - 11 May) Headliners: All Out War and Soul Search OOR picks: T.S. Warspite, Echo Chamber, Eat Your Brains Out and Dynamite We head to Glasgow for the hardcore behemoths, Northern Unfest. The festival started a breakthrough movement of the underground with this two-day event, and now for its 2025 edition, theres no escape from the pit with headliners All Out War and Soul Search. The festival is a triumph of community spirit, a love for DIY and also a best-kept secret for those that love hardcore. With this homegrown talent, there is also international acclaim, with bands flocking from across the world to attend. Japan’s Eat Your Brains Out share a bill with Germany’s Echo Chamber on the Saturday, whilst the best of UK hardcore makes itself known on the Sunday, featuring returning favourites TS Warspite and Dynamite. Few places make breakthrough bands in hardcore known. Alongside our friends at Reality Unfolds, its heavy music at its best. Loud, in your face and full of attitude. - AB DESERTFEST (16 - 18 May) Headliners: Elder, Zeal & Ardor and Earth OOR picks: Froglord, Castle Rat, Planet of Zeus and Stoned Jesus Desertfest is the ultimate pilgrimage for fans of stoner rock, doom, sludge, and psych, bringing three days of heavy, hypnotic riffs to five venues across the city. This year’s lineup is as immersive as ever, with Zeal & Ardor’s haunting blend of gospel and black metal headlining alongside the progressive, monolithic soundscapes of Elder. Beyond the headliners, Desertfest continues to champion the underground. Barbarian Hermit deliver crushing grooves, Froglord bring their surreal, amphibian-themed stoner rock, and Wallowing craft sci-fi-inspired sludge nightmares. Meanwhile, Slump weave psychedelia into their doom-laden sound, proving that Desertfest is as much about sonic exploration as sheer heaviness. With its multi-venue setup, the festival offers a choose-your-own-adventure experience, letting you drift between intimate, smoke-filled rooms and larger, high-energy spaces. Whether you’re there for the slow, crushing weight of doom or the fuzz-drenched haze of psych, Desertfest is a haven for those who like their music heavy, immersive, and a little out of this world. - VR BEARDED THEORY (21 - 25 May) Headliners: Iggy Pop, Manic Street Preachers and Paul Heaton OOR picks: The Sisters Of Mercy, Mannequin Pussy, Divorce and Man/Woman/Chainsaw Bearded Theory is the UK festival that refuses to be boxed in. Taking over Catton Park from May 21st to 25th, it brings together an eclectic lineup spanning indie, punk, metal, and beyond, making it one of the UK’s most diverse and vibrant festivals. This year’s headliners are nothing short of legendary: Iggy Pop, the godfather of punk, and Manic Street Preachers, masters of anthemic, politically charged rock. But Bearded Theory thrives on variety, and the undercard is just as exciting. Nova Twins bring their genre-smashing mix of rock, grime, and punk, while Terrorvision deliver 90s alt-rock nostalgia. Rising stars Alt Blk Era, Millie Manders & The Shutup, and The Meffs inject fresh energy, alongside one of Bradfords fastest growing grime/nu-metal crossover bands, Rupcha Farms. More than just a music festival, Bearded Theory has built a reputation for its inclusive and community-driven atmosphere. With a lineup that spans multiple genres, it’s a place where fans of all kinds can discover something new, whether it’s a legendary act or an emerging artist on the rise. Set against the backdrop of Catton Park, it’s a weekend that offers both nostalgia and fresh energy, making it a standout event in the festival calendar. - VR SLAM DUNK (24 - 25 May) Headliner- A Day To Remember OOR picks: Neck Deep, Noahfinnce, South Arcade and Hot Milk Slam Dunk is an alternative music festival held in the UK and has been growing yearly since its launch in 2006. What started as a single stage in Leeds, now consists of two days (with the same line-up) in two different locations, with 5 stages - one in the North (Leeds) and the other in the South (London). The festival is typically home to pop-punk and various metal-type bands; however, this year we are seeing the biggest and most diverse line-up of the festival so far. Headlining and must-see, we have, following their banging brand new album, A Day To Remember. Along with Electric Callboy, whose sets are always absolute vibes and bring the best crowd atmosphere! Bringing the nostalgia, we also have Alkaline Trio appearing as a stage headliner. We can see appearances from early 2000’s icons such as Neck Deep, New Found Glory and Less Than Jake on the lineup, along with more new artists such as Noahfinnce. Overall, expect huge headliners, iconic throwbacks and rising stars across multiple stages, delivering a weekend packed with punk, metal, emo, and everything in between.Slam Dunk 2025 is shaping up to be one for the history books for sure! - AW DOWNLOAD FESTIVAL (13 - 15 June) Headliners: Green Day, Korn and Sleep Token OOR Picks: Loathe, Dayseeker, Poppy and Spiritbox The legendary rock festival, Download, returns to Donington Park for a 22nd head banging summer, with a heavy yet varied lineup that offers something for everyone. Making their headliner debuts are Green Day and Korn, along with controversial additions Sleep Token, who have divided the festival community. One to watch on the Apex stage is Spiritbox; their latest album release, Tsunami Sea, has received rave reviews, with Kerrang and NME both of giving five-star ratings. With success in the UK Independent Albums and UK Rock & Metal Albums charts, safe to say Spiritbox will not leave you disappointed. Another to look out for is surprise headliners Sleep Token. Sleep Token have seen a meteoric rise and, although not to everyone’s tastes, they have certainly got everyone talking. Their seductive blend of metal and funk is sure to draw fans in, while their show production quality exhibits their headliner credentials. First festival or going solo? Don’t worry! Download is famous for its open and friendly atmosphere, welcoming rockers of all ages and backgrounds (including families). Not keen on the headliners? No problem! Download offers four stages with acts from all across the rock spectrum, alongside entertainment in District X - there is something for everyone at Download! - DM OUTBREAK FESTIVAL (13 - 15 June) Headliners: Knocked Loose, Alex G, Slowdive and Turnstile OOR Picks: Speed, Glassjaw, Ikhras and Pest Control Outbreak Festival is now a staple of the hardcore punk scene. Coming back this year with three days full of the fan favourite bands, the organisers are promising one day in London and two days in Manchester full of moshpits, raw energy and unforgettable performances. Starting on 13th June in London and continuing on 14th and 15th of June in Manchester, the fans are promised different lineups in both cities. One of the biggest attractions of the festival is the UK exclusive no-barrier sets from Knocked Loose, who are coming back after their sold-out tour in March. Other unmissable bands are Glassjaw, who are set to perform their records ‘Worship & Tribute’ and Everything You Ever Wanted to Know About Silence’ each respective day in Manchester and songs from both records in London, Denzel Curry who is performing just on 14th and 15th and Turnstile, who are performing on 13th only. With most of the acts being announced for the two-day festival and more to be announced for the London one in Victoria Park, fans ought to expect a top-notch lineup that is going to make them enjoy every single second of the infamous event. - KS GHOSTFEST (21 June) Headliners: Injested, Signs of the Swarm and Humanities Last Breath OOR Picks: Desolated, Pintglass, Party Cannon and Veiled We like it loud, and we like it extreme. Leeds University Union is home to the 20-year edition of Ghostfest, living it loud for a one-day event of feathcore, hardcore and everything heavy. Making the most of the weekend includes Manchester Metal outfit Ingested. Pennsylvania behemoth’s Signs Of The Swarm and Swedish progressive death metallers Humanity’s Last Breath. With more bands to be announced, the festival pushes its hardcore mentality to the extreme with Veiled and Desolated, but also uses Party Cannon and Pintglass to provide some much-needed comic relief to the intensity of the day. Greebo’s and moshers alike will find solace in its sticky pits and sweaty floors. A must for anyone who likes a bit of filth. - AB RADAR FESTIVAL (4 - 6 July) Headliners: Carpenter Brut, Bob Vylan and Underoath OOR Picks: As Everything Unfolds, Vukovi, ALLT and Mother Vulture Radar Festival is a forward-thinking celebration of genre-spanning progressive and technical music, bringing together some of the most innovative artists in metal and rock. Held at Victoria Warehouse from July 4th to 6th, it’s a festival where precision, creativity, and heavy riffs collide. This year’s lineup is led by the dark synthwave-meets-metal intensity of Carpenter Brut, a headliner that pushes the boundaries of heavy music in a completely unique way. Beyond that, the festival showcases everything from the crushing, beatdown-infused energy of Pintglass, to the soaring post-hardcore melodies of Future Palace, and the intricate, riff-packed prog metal of Tiberius. With a lineup that crosses genres but stays rooted in technical mastery and innovation, Radar Fest is perfect for those who like their music heavy, complex, and boundary-pushing. Whether you’re into shredding guitar work, futuristic soundscapes, or pure rhythmic chaos, Radar offers something a touch different from the usual metal festival experience. - VR SLAYER (3 & 6 July) Headliner: Slayer OOR Picks: Mastodon, Anthrax and Hatebreed “SLAYER!” After a hiatus, the band are back to raise hell in the UK. Tom Araya and Kerry King enlist Exodus guitarist Gary Holt and drummer Paul Bostaph to perform in Wales’ Blackwater Fields and London’s Finsbury Park this July. As one of thrash’s big four - alongside Metallica, Megadeth and Anthrax - their glorious return is welcomed enormously by the metal community. Supports are Amon Amarth, Anthrax, Mastodon, Hatebreed and Neckbreaker for both dates. The band will also make an appearance at the star-studded Black Sabbath final show that takes place inbetween the two dates on the 5th . Six years and a pandemic could not keep the thrashers away from the stage, and when the iconic intro to Raining Blood begins, you know the band will take no survivors. BLACK SABBATH 'BACK TO THE BEGINNING' FINAL SHOW Headliner: Black Sabbath OOR Picks: Metallica, Slayer, Gojira and Halestorm It writes itself: Black Sabbath headliner. Not only is this the last appearance for the Birmingham trailblazers Black Sabbath, but also the last performance of frontman Ozzy Osbourne. The iconic bat-eating vocalist will take to the stage for the last time this July at Villa Park. Joining the band are some of the greatest metal bands that Sabbath have inspired, including Metallica, Slayer and Alice In Chains. Current scene frontrunners Gojira, Halestorm and Mastodon also make themselves known on the lineup. Alongside the lineup, rock and metal royalty will attend the show to provide one-off performances. Billy Corgan, Fred Durst, Jonathan Davis and Slash are some of the names included at the ‘Back To The Beginning’ show. This performance will be a one-off spectacle that champions the scene at its UK birthplace. Metal has never come together on this scale, and arguably never will again. 2000TREES FESTIVAL (9 - 12 July) Headliners: Kneecap, Pvris, Taking Back Sunday, Coheed & Cambria and Alexisonfire OOR Picks: La Dispute, Letlive, Unpeople and Lake Malice 2000trees is an independent rock music festival held over three days in Gloucestershire, UK. Since its birth in 2007, it has focused on upcoming and underground acts within the rock and indie scene. However, over recent years, we have also seen bigger headlining acts. This year we have big names such as Alexisonfire, Taking Back Sunday and Kneecap headlining with appearances from must-sees Kid Kapichi, Rory and Pvris. There is a big focus on families at 2000 trees with a lot of planned, family oriented activities throughout the weekend such as a play area within the main arena, a ‘forest area’ where you and the kids can craft, build dens or simply explore nature. The festival is also known for its unique, close-knit atmosphere, with an attendee cap of 15,000. - AW MANGATA FESTIVAL (12 July) Headliner: The Raven Age OOR Picks: Mallavora, Defences, Desert Storm and Black Coast Off to Nottingham now for its signature alternative romp this July. Mangata is back and features the best of the alternative scene. Headlined by goth rockers, The Raven Age, it also brings together an impressive mix of underground bands, including Seething Akira, Desert Storm and The Five Hundred that represent some of the best in the UK touring scene. There are some hidden gems in this lineup, such as the spectacular Defences, Mallavora and Froglord. Promising over 45 bands across five stages, it puts Nottingham on the map for alternative breakthrough talent. - AB TRNSMT FESTIVAL (11 - 13 July) Headliners: 50 Cent, Biffy Clyro and Snow Patrol OOR Picks: Fontaines DC, Twin Atlantic, Kneecap and Wunderhorse We know what you’re all thinking- this is a bit unlike us to cover TRNSMT this year, but with the immense Biffy Clyro and Fontaines DC making the most of the Saturday, it's something we’re prepared to dive headfirst into. Taking place in Glasgow in July, the festival promises to be an exciting mix of all the 2025 leading festival acts. Twin Atlantic and Kneecap also make welcome appearances on the Friday that we just cannot ignore. More importantly, it's the only time we could potentially cover James Marriott- and our online community can’t get enough of him. Good Bin. Bad Bin. TRNSMT, this year, we are firm friends. The festival fun never ends. OFFAL FEST (25 - 27 July) Headliners: Internal Bleeding, Skinless and Defeated Sanity OOR Picks: Foetal Juice, Chainsaw Castration and Cerebral Effusion At Out Of Rage, we provide festivals across the broad and exciting spectrum of rock and metal acts. Offal Fest is definitely on the pinnacle of that scale, being Manchester’s home for brutal death metal, slam and grind. The third edition of the festival brings together the best names you can’t read on the poster, including headliners Internal Bleeding, Skinless and Defeated Sanity. At the iconic Rebellion music festival, punters can get their fix of high-intensity pits and heavy collisions across the weekend, including a pre-show to well and truly kick things off. If you judge the bands by how brutal they sound, you’ll absolutely love this. From Iniquitous Savagery, Cerebral Effusion and Chainsaw Castration, by the end of the weekend, you’ll be more beat up than some of the poor fellas at Manchester Royal’s A&E. -AB IDLES BLOCK PARTY (1 - 2 August) Headliners: Idles OOR Picks: Soft Play and Lambrini Girls Idles have gone above and beyond this year to headline two consecutive dates in Bristol this August. Dubbed the ‘Idles Block Party’, these are the only two dates the indie rockers will play in the UK this year. The homecoming shows will be joined by a host of their nearest and dearest, including punk acts Soft Play and Lambrini Girls. Punk meets electronica as the festival also boasts a cohort of local DJs and electronica acts including Hinds, Scaler and Grove. In the heart of Bristol at the iconic Queen Square, this is not one to be missed. Shout it from the rooftops - or Jo Talbot will do it for you - Idles is coming home. BOOMTOWN (6 - 10 August) Headliners: Sex Pistols, Maribou State and Sean Paul OOR Picks: Joey Valence & Brae, Nova Twins, Third Kulture and Raised By Owls Boomtown is a five-day music festival and theatre production held annually in Hampshire, UK. Since 2009, the event has been known for not only its diverse lineup but also the storytelling aspect behind the festival. Boomtown takes place in a fictional city consisting of 8 districts. Each district has a distinct identity with actors portraying citizens of the fictional city, all with their quests, which you can get involved in. Each year has a different storyline which unravels throughout the five days and then climaxes on the closing ceremony of the final night, all with the theme of transforming our world and environment and making Earth a better place. Music-wise, you can expect a lineup that dances across musical genres, including reggae, punk, electronic, folk, and more. The 2025 line-up includes big names such as Sex Pistols (ft. Frank Carter), Sean Paul, Azealia Banks, Rudimental, plus so many more, catering to all tastes. -AW BLOODSTOCK OPEN AIR (7 - 10 August) Headliners: Trivium, Gojira and Machine Head OOR Picks: Heriot, Mastodon, Obituary and Lacuna Coil For those who crave the raw energy of heavy metal in its purest form, Bloodstock Open Air 2025 is the place to be. Held in the hallowed fields of Catton Hall Park, this festival remains the UK’s top destination for metalheads, uniting tens of thousands in a shared love of blistering riffs, ferocious mosh pits, and an unshakeable community spirit. Whether you’re there for Gojira headlining the main stage, to support your favourite hometown band (looking at you, Waterlines) on the Sophie Lancaster Stage, or to catch some rising stars on the New Blood Stage, there’s something for everyone. Expect chaos in the pits, drinks flowing like a sacrament, and the friendliest crowd you’ll ever throw horns with. With monstrous sets from some of the heaviest names in the industry, alongside rising stars pushing the boundaries of metal, 2025 promises to be a truly unmissable year. Make sure to catch the next wave of brutality on the Sophie Lancaster Stage, and definitely don’t sleep on the Metal 2 the Masses winners; they could be your next favourite band. - VR ARCTANGENT FESTIVAL (13 - 17 August) Headliners: Wardruna, Karnovool and Tesseract OOR Picks: Green Lung, Rolo Tomassi, Battlesnake and The Callous Daoboys ArcTanGent isn’t your standard metal festival, it’s a haven for those who love their music dense, intricate, and atmospheric. Taking over Bristol from August 13th to 16th, it champions the experimental side of heavy music, from crushing riffs to haunting soundscapes. This year’s lineup is as diverse as ever. Wardruna bring their spellbinding Nordic folk rituals, Karnivool return with their deeply emotive prog mastery, and Tesseract promise a set packed with shimmering melodies and thunderous djent grooves. The undercard is just as exciting; Green Lung’s occult rock swagger, Vower’s genre-defying intensity, Lowen’s hypnotic doom, and the sheer metallic ferocity of Burner all make this a festival for those who like their music immersive and unpredictable. ArcTanGent thrives on its community of dedicated music fans, where the crowd is just as passionate as the bands on stage. Whether you’re into mind-bending time signatures, atmospheric walls of sound, or just want to see some of the most creative heavy bands around, this is where you’ll find them. READING AND LEEDS FESTIVAL (22 - 24 August) Headliners: Hosier, Chappell Roan, Bring me The Horizon, Limp Bizkit and Travis Scott OOR Picks: Bilmuri, Mouth Culture, Lambrini Girls and Amyl and the Sniffers Reading and Leeds Festivals are two of the most important annual live music events in the UK. With both events taking place over the August bank holiday weekend, each site of the festival attracts several thousand music lovers from all around the world every year. The festival is jam-packed with the biggest artists and bands from every genre imaginable, therefore, attracting crowds of a mass variety. This year’s headliners are rap legend Travis Scott, the iconic Hozier, the queer queen herself who is currently taking over the world, Chappell Roan and metal royalty Bring Me The Horizon and Limp Bizkit. We will also see unmissable sets from Amyl And The Sniffers, The Kooks, Becky Hill, Enter Shikari, House of Protection, Bilmuri and many more. With such a diverse range of acts, you are guaranteed to have an absolute smash of a time, whether you go for just one day or the entire weekend. As a standout rite-of-passage festival with hundreds of thrilling acts, Reading & Leeds is set to return as the ultimate festival weekend of the summer of 2025! - AW BURN IT DOWN (29 - 30 August) Headliners: TBA OOR Picks: Hyphen, Blood Command, Bodyweb and The Menstrual Cramps For a weekend, Torquay becomes the centre of the British alternative music scene. For a town on the rural fringes of life in Devon, it surely packs a punch. The best breakthrough bands flock to the south for intimate stages and intense pitting. Alternative acts like Hyphen, Karen Dio and Mouth Culture get pulled onto the same stages as hardcore heavyweights God Complex, Desolated and Bodyweb. Every corner of this lineup is stacked, and exciting bands can be found wherever you end up (potentially with some lovely fish and chips) Our picks for the weekend include: Long Goodbye, Native James, Shooting Daggers and Still In Love, but this is only scratching the surface. Burn It Down is an exciting chance to witness future major stars live, in some of the best small venues. - AB NO PLAY FESTIVAL (6 September) Headliner: TBA OOR Picks: TBA We loved working with the iconic No Play Festival last year, we want to do it all over again. Promising some of the best local and international talent that Liverpool has to offer, the festival fronts an impressive display of hardcore and heavy acts. Last years headliners, Seeyouspacecowboy were a phenomenal addition to the lineup, alongside a community of talented bands including Caudron, Grove Street and Forager. Taking place in local venues, there is a great community feel that provides a welcome break from some of the festival heavy hitters. - AB CORE FESTIVAL (12 - 14 September) Headliners: TBA OOR Picks: TBA Self-proclaimed ‘celebration of noise’ Core Festival is Glasgow’s hot and heavy festival of sound. Whilst the lineup has not been announced for the 2025 edition, it brings together eclectic mixes of alternative music, from the likes of Deafheaven, Empire State Bastard and Show Me The Body The third edition of the festival will take place this September in Glasgow’s west end. -AB DAMNATION FESTIVAL (8 - 9 November) Headliners: Deafheaven and Perturbator OOR Picks: Pig Destroyer, Gaerea, Meryl Streak, and Hellripper Europe’s biggest indoor metal festival, Damnation, is set to take place this September at the BEC in Manchester. Headliners Perturbator and Deafheaven make themselves known across a cohort of extreme rock and metal acts, including The Haunted, Author and Punisher and Onslaught. With half the lineup already announced, this is set to be one of the biggest years for Damnation. We can’t wait to join the fun! - AB

Doom Metal rests strong upon the throne of London’s underground metal scene. Like a mighty king, it sits, fat and satisfied - stretching its iron-clad fingers across the Isles, crowning riff-lords with every thunderous downstroke. It is the hitmaker of our time, spawning more successful subjects than you can shake a sceptre at. And if Doom Metal is king, there is no greater cathedral than the mighty Desertfest, the greatest celebration of reef and riff on planet earth. It is a magical time, where the faithful gather in droves across Camden Town like a herd of cloaked, beer-soaked penguins waddling between venues toward their great pilgrimage. All are acolytes of the mighty riff and all of its stalwart alterations. It’s also an age of discovery, to see what can be done to this consecrated subgenre, what advances and innovations await the starved faithful. Beyond the headliners, there lies a den of unsung riff-wielders waiting to rattle your bones in all manner of new ways. We’re talking about the deep cuts, the strange ones, the bands you didn’t know you needed in your life until they obliterate your senses. So, strap your helmet on, grind your teeth, and prepare for battle - here are ten other bands you need to see at this year’s almighty D-fest. OLDBLOOD First up, OLDBLOOD, hailing from the industrial wasteland of North London. Opening with an exciting one, Oldblood actually started in 2018 and showed a promising beginning with ‘Arms to the Sky,’ combining just about any metal subgenre you can think of into a harrowing cocktail that makes the blood run cold. They are the sonic equivalent of a bad trip in an abandoned slaughterhouse. With new singles coming out hot and fast, and some new blood in their lineup, Oldblood are ready to inject some of that London gloom into your veins once again. A welcome addition to the lineup and possibly the start of bold new digs for the band. CASTLE RAT Following them are doom darlings CASTLE RAT from the Big Apple. Metal ‘zines are foaming at the mouth over them, and for good reason. The mediaeval lovechild of the film Excalibur and an early Nazareth record, they were practically launched headfirst into prominence due to their spacey production and insanely good aesthetic. They are hands-down the best looking band at the festival, chiefly in part of rhythm guitarist and singer Riley Pinkerton, who looks like a Frazetta painting just sashayed off the canvas to conquer the world. They are sure to excite those with a penchant for sword and/or sorcery. Their set is going to be a battlefield. Get there early or prepare to be hewn in twain. PLANET OF ZEUS From the sprawling Attic basin comes Hellenic riff-slingers PLANET OF ZEUS. Having been around the block since 2000, these guys are the archons of the Greek doom metal scene and their sound is as colossal as their name suggests. It isn’t any wonder that they are back to rock the house in lowly London once again, bringing some of that much-needed Athenian heat to our cold, cold hearts. A Planet Of Zeus show is like being at the sort of parties you wish you were invited to at school, a boomtown bacchanalia. Yiamas! STONED JESUS Like a great leviathan starring from the earth comes STONED JESUS from Ukraine. ‘I’m The Mountain’ is a modern doom standard in a similar vein to ‘Unchained Melody’ and ‘The Rite Of Spring.’ With a controlled command of multiple genres, they wield the breadth of musical innovation that stretches as vast as the steppe of their homeland. Proudly Ukrainian, defiantly powerful, and ready to remind us all what real resilience looks like through the common language of pure, face-melting riffage. SONS OF ALPHA CENTAURI And let’s not forget SONS OF ALPHA CENTAURI – D-fest vets who first graced the main stage back at its inaugural festival in 2012. If riff-rock was a meal, these guys would be a Michelin-starred lobster feast served on a gold-plated anvil. This year, they return to their instrumental beginnings, bringing towering walls of distortion, introspective interludes, and enough sonic weight to collapse your lungs. There’s no ambiguity here, the reason you should see these guys is because they’re good. Really good. BOBBIE DAZZLE If the sturm und drang of doom metal is getting you down, D-fest’s serotonin jolt comes in the form of BOBBIE DAZZLE, your prescription musical Prozac. After departing from doom band Alunah, Bobbie Dazzle is the project of one Siân Greenaway who decided that sometimes the sun must come out even on rainy days. This one is a testament to the diversity of Desertfest’s offerings; delivering punchy hooks, catchy choruses, and riffs pulled straight from an era where free love and Levi Jeans ruled the earth. Bobbie Dazzle is proof that sometimes D-fest isn’t just for the bearded and bell-bottomed doomlords - it’s for people who actually want to enjoy themselves, too. If you skip this, you probably hate fun. Sorry. FROGLORD Ribbit. They came from beyond space to enslave the earth. Ribbit. Croak. It’s FROGLORD. They are a doom metal band that dress up like frogs and write colossal riffs. When they’re not driving their motorcar down Toad hall, they can be found in the swamps of Bristol. Beginning as a one-frog project during the pandemic, they leapt from the lily pad to every major swamp in Britain. With vocals slimier than a BP oil spill and riffs so ribbiting it makes you croak with anticipation, they provide less of a stage presence and more of a precursor to the Great Amphibian Awakening of 2026. You have been warned. Ribbit. GREEN MILK FROM THE PLANET ORANGE Please clear the way for GREEN MILK FROM THE PLANET ORANGE, all the way from Tokyo, Japan. Experimental (or just plain mental) whirlwind of J-rock absurdity that hits like a gunshot to the gonads delivered with the force of a derailed Shinkansen. It really has to be seen to be believed, as the great Crowbar described; sonic excess in its purest form. If you are frothing at the mouth for some seriously novel and ferociously realised adventures into the realm of musical possibility, then look no further. These fine folks will help you realise that long-awaited Spongebob-ian pursuit of acquiring a taste for free-form jazz. BARBARIAN HERMIT Meanwhile, BARBARIAN HERMIT ask just one crucial question: Are you from Manchester? If yes, you already know the deal. If no, then it’s time for a brutal crash course in northern life. With riffs as thick as chimney smoke, the Hermits are ready to make initiates from non-believers. It’s fun, it’s awesome, it absolutely rips hard. And if you’re still not convinced, their new album will flatten you into a Mancunian pancake. Need we say any more? EARTH Last but certainly not least are drone titans EARTH from Washington state. They are a bigger band than any on this list, yes. But it appears that their presence has not been hyped up as much as we would have hoped. 1993’s ‘Earth 2’ wrote the handbook on drone. It’s the type of music you feel in your stomach when the bass rattles the air. They also have tenure, being around longer than anybody on this list. Hell, even if you are of the cowboy-inclined, their 2005 album ‘Hex’ will have you dancing, dancing, saying that you will never die. Every single doom band at this festival owes them a tithe. This is where the term ‘heaviness’ originates, this is the very blueprint. Like Godflesh last year, Earth will provide D-fest with a much deserved sprinkling of ambient heaviness, waiting to turn your eardrums into fine mush. Bow down. There you have it, unmissable bands at Desertfest 2025. It will be a wonderful family reunion once more; the faithful gathering, the amplifiers humming their warm song, the drink and mirth flowing like a river of bad decisions. Whether you’re here for the soulful wailing of Zeal & Ardor, the amphibian insurgency of Froglord, or the sun-baked euphoria of Bobbie Dazzle, one thing is certain – you are now part of the ritual. Smoke ‘em if you got ‘em. Keep the faith. And prepare for obliteration. Some of the most riveting memories of the year are about to be made. See you in the pit. Words: Kiarash Golshani

Bullet for My Valentine (often abbreviated to BFMV) are a heavy metal band from Wales. The band is currently composed of Matt Tuck (lead vocals, rhythm guitar), Michael Paget (lead guitar, backing vocals), Jason Bowld (drums), and Jamie Mathias (bass guitar). The band was originally formed in 1998 under the name Jeff Killed John, however due to a change of style in music the band changed their name and secured a five album deal with Song BMG. Thus was born, The Poison, which hauled them to success. The band has sold over one million albums in the United States and over 3,000,000 albums worldwide and are the most-successful act in the Kerrang! Awards category of Best British Band with three wins. Following a sold out arena tour which marked the 20th anniversary of their debut album ‘The Poison’, the band are making their sixth appearance on the Download 2025 line up. Ahead of their main stage set, we are taking a deep dive into 20 years of ferocious music spans from metalcore to hard rock to thrash metal, to rank Bullet for My Valentine’s top 10 songs. 10) JUST ANOTHER STAR 'Just Another Star' is a song that appears on two Bullet For My Valentine EPs; it's featured as the fifth track on Bullet For My Valentine (2004) and the sixth/closing track on Hand of Blood (2005). It was also featured on Disk 2 of the 20th Anniversary Edition of The Poison. Despite this, it seems to be one of Bullet For My Valentine's less popular tracks, only being played live, both on tour and festivals combined, around 13 times over the past 20 years. However for me, not only does this song have the band's signature sound of heavy guitar riffs and Tuck’s legendary contrasting vocals, lyrically - it cuts deep! ‘Your just another star that’s burned out too quickly’ – a memorable line that captures the idea of person/love which once seemed eternal but was actually just temporary. Just Another Star’ stands as a profound exploration of betrayal, self-reflection, and the human desire to find love and meaning amid chaos, giving the track a well deserved place in the 10 top ranking. 9) SCREAM AIM FIRE 'Scream Aim Fire' is the title song of Bullet For My Valentine’s second studio album, ‘Scream Aim Fire’ and is also the highest charting single from the album, reaching number 34 in the United Kingdom UK Singles Charts. This track is aggressive, fast paced and exemplifies the band’s signature metalcore style, featuring high-octane guitar riffs, thunderous drumming, and Tuck’s dual vocal approach—melodic singing and screaming. The song explores themes of the psychological and physical impact of warfare which is a far cry from the themes of love and heartbreak we grew accustomed to seeing in the band's previous work. The music video also complements the song’s themes by using war imagery, which has gained millions of views. 8) THE LAST FIGHT 'The Last Fight' is the second single from Fever, and one of Bullet for My Valentine’s most successful songs. The song is a personal and powerful number from the band about addiction and recovery. Matt Tuck sings about struggle, redemption, and the battle against inner demons. Michael “Padge” Paget performs a guitar solo that adds deep emotion to the song. With features of heavy riffs, melodic vocals, and a catchy chorus, this track showcases the band's maturity and honesty. The Last Fight reached number 82 in the UK Singles Chart, and many reviewers highlighted the song’s emotional depth, praising it as a standout track on Fever. 7) HER VOICE RESIDES This song wastes no time by opening with a harsh scream, a catchy riff and intense drumming - the band's signature energetic start. This track, lyrically, explores themes of heartbreak, longing, and the intense emotional struggles that arise after the end of a romantic relationship. The song captures the distress of a person grappling with the end of a love affair, and ultimately, it serves as a reminder of how love can leave an indelible mark, echoing in our minds long after it's over. This is some of the band's best work lyrically,y making it a hard-hitting track. Tuck’s vocals oscillate between clean singing and harsh screams, giving emotional depth to the song. 6) FOUR WORDS (TO CHOKE UPON) 4 Words (To Choke Upon) is the first single from Bullet for My Valentine’s debut album ‘The Poison’. This track contains some of Tuck’s best lyrics “Soon I’m the one that’s on attack, I can’t wait to return the favour, Look at me now” about achieving success and proving those who doubted him wrong, and the ‘4 words to choke upon’ being “look at me now”. This metalcore anthem features catchy riffs, another iconic guitar solo and fast drums. As well as being the perfect tribute to the band's journey to the top, this song showcases the band's ambition, earning its place at number six on our list. 5) HEART BURST INTO FIRE This track is from the band’s second studio album, Scream Aim Fire which was produced by Colin Richardson, who is known for his iconic work with bands like Slipknot and Machine Head. It is one of Bullet For My Valentine’s more melodic offerings and opens with an emotive guitar intro that sets the tone for the rest of the song. Along with its catchy hooks and memorable chorus, it presents a softer but impactful side of the band and showcases their versatility. This song has been well-received by fans and critics and is often cited in reviews as one of the standout tracks of this album. 4) HAND OF BLOOD Before the band's debut studio album “The Poison”, they released two EP’s, one of which was titled “Hand of Blood”. This track is one of the band's earliest pieces of work and it firmly established their metalcore roots. Along with heavy guitar riffs, Tuck’s vocals alternate between melodic lines and aggressive screams which to this day is Bullet for My Valentine's signature sound. This EP played a significant role in generating a buzz around the band and their debut album. Although never released as a single, Hand of Blood has been a fan favourite over the years and is often included in live setlists. 3) YOUR BETRAYAL Another track with an iconic and instantly recognisable opening. It is impossible to not air-drum along to the beat at the beginning of this song. The track then goes into the first verse where the first vocals on the song are a spine chilling whisper of “Am I going insane?”. This is then followed by a full verse of call and answer/whisper and singing before one of the band's most catchy choruses kicks in. The guitars on this track are the perfect combination of heavy yet smooth, making it an undeniable banger and well deserved place in our top 3. 2) ALL THESE THINGS I HATE (REVOLVE AROUND ME) This is one of Bullet for My Valentine’s most popular songs and from the get-go this track is full of emotion and energy. The clear story-line of a failing relationship and the anger which comes alongside that is perfectly told, captivating and resonates with many fans. The acoustic guitars in the verses made the song stand out amongst others on The Poison album. Along with the electric guitars in the chorus, the acoustic sound creates a beautiful contrast which goes hand in hand with the harmonized vocals of Tuck and Padge, creating even more depth to the song. This was also the band’s highest-charting single released, earning its place at number 2. 1) TEARS DON'T FALL Could it really be anything else other than this Metalcore masterpiece? This is probably the band's most popular and well known song and rightly so. From the iconic opening “Let’s go!” which sends a full generation of metal heads into instant chaos, Matt’s vocals on this track, both clean and screaming, are undeniably amazing. This track also contains an epic guitar solo midway through, which again, is iconic in its own right. This track also demonstrates the strength of the band's song writing skills, being co-wrote by Matt Tuck and Michael Padge. Instantly recognisable from the opening chords alone and the song which was responsible for opening the metal gateway for many “emo” obsessed teenagers in the early 2000’s, ‘Tears Don’t Fall’ takes the well deserved spot at number one. Bullet For My Valentine will be taking to the main stage at Download Festival, alongside headliners Korn, Green Day and Sleep Token. Words: Amy Watson

With Spiritbox’s appearance at Download Festival on the Apex Stage fast approaching, Out of Rage are delving into their Top 10 tracks. In recent months, we have watched the band reach some rather impressive career milestones. Few months have passed since they headlined 10,000 capacity Alexandra Palace in February; even fewer days have passed since they released their highly anticipated second studio album. In addition to this, Spiritbox are embarking on a headline tour in North America to prime them for such an appearance on the Download stage. At such a heightened stage of their career, there is no questioning what this band are capable of, or even what comes next. Exploring everything from their classics to their newest releases on Tsunami Sea, here is what we have to say. 10) THE RULE OF NINES The coalescence of a heavy sound mixed with hypnotising vocals is exactly what Spiritbox excel at. That is exactly why Rule of Nines made the list. The vocals on this track sound dreamy at first, almost siren-like, despite being sung alongside gritty guitars. This song is one of Spiritbox’s oldest releases, first shared as a single in 2019. So while it is not considered the very start of their discography, it comes close. That is what makes it an essential listen. 9) HURT YOU Structurally, Hurt You is the opposite of Rule of Nines. It is heavy in all areas except for the chorus. The two songs are like parallels, so it makes sense to place them side by side on this list. There is a great breakdown in this which shows how flexible Courtney LaPlante’s vocals are. Whether she is using clean vocals or gutturals, that alone is something that should be recognised as incredibly skilful. 8) JADED Found on their 2023 EP release The Fear of Fear, Jaded takes the spot at number 8. This song contains poetic, introspective lyrics. There is a mournful tone to this one as it bears the energy of being distant from oneself. Of course, this is embellished with the usual Spiritbox flair. 7) THE MARA EFFECT, PART 1 In any circumstance, an artist’s early works should be celebrated. There is no doubt that Spiritbox have earned that celebratory factor with The Mara Effect Pt.1, found on their self-titled EP in 2017. Between the djenty guitar and Courtney LaPlante’s gentle vocal intro, this song is key in uncovering Spiritbox’s origins. And if you’re really stuck, you can listen to the additional two parts on their self-titled album that share this song’s name. It’s all beautifully woven and interconnected. 6) ETERNAL BLUE This song is an emotional pick about being at a low point after being hurt. If you are in to metal – but are also slightly melancholic - this melodic tune with its twinkling synths is for you. It also goes to show that metal bands don’t have to be heavy all the time. Moreover, it exemplifies they are a band that do heavy and gentle impeccably well. 5) NO LOSS, NO LOVE As far as Spiritbox songs go, No Loss, No Love is a little different. Released as a single from Tsunami Sea, it came as a surprise to some. Spoken words are woven in to a song largely comprised of gutturals. The words are not punctuated by Spiritbox’s signature gritty instrumentation, making them almost eerie against the synthesiser backdrop. For those reasons, the song feels experimental. Not only that, it demonstrates that Spiritbox are unafraid of the art of expression and bending the rules in metal. 4) ROTOSCOPE If you like shaking your stuff to metal songs then this is the tune for you. Rotoscope is as heavy as it is rhythmic. Dancing to this song is something that vocalist Courtney LaPlante actively encourages in the band’s live performances. In doing so, she swiftly dismisses the naysayers that say metal isn’t something you can dance to. It is, and this song does everything to prove it. 3) SUN KILLER Arguably, Sun Killer is an underrated fave. Featured on Eternal Blue, the song is like a first page in a book. We are drawn in to hypnosis by harmonious vocals from the start. In this track, the heaviness gradually unfolds. The song was quite an introduction for a modern metal album in 2021. There is no doubt it can leave a lasting impression almost four years on. 2) FATA MORGANA Spiritbox consistently prove they know how to begin their albums with a thunderous bang. Fata Morgana is no different, and that’s what makes it that song. If this tune had a set of lungs, it would breathe life in to the body of Tsunami Sea. There is something dark about the song that arrests the attention of the listener. Debuting and opening with this song at Alexandra Palace in London, there is some assuredness that it will be included in their Download set. 1) HOLY ROLLER Not making Holy Roller number one would be a sure sign of impurity and imbalance in the world. With just over 48 million listens on Spotify, there is no doubt this is a number one track. But it is more than mere data. Between blazing guitar riffs and Courtney’s vocals, Holy Roller is monstrous and wild. Furthermore, it stomps on anyone who dares to say that Spiritbox have not earned their place in the modern metal scene. In the band’s live performances, Holy Roller has been seen accompanied by vicious pyro. Arguably their most famous song, the track stands strong with powerful but violent growls by LaPlante. There is no doubt the Download crowd will move around for this. Traditionally played towards the end of their set, this song guarantees new fans through their live performance alone. Catch Spiritbox at Download Festival, alongside headliners Green Day, Korn and Sleep Token. Words: Shania Richards